Photos Top cast Edit. Mark O'Brien Ace as Ace. Emory Cohen Denny as Denny. Toby Vitrano Merk as Merk. Truong Quang Tran Quoc as Quoc. Ivy Vy Le Nicole as Nicole. Renell Gibbs Reggie as Reggie. Jacci Gresham Ms. Jacci as Ms. Tyler Henry Kamal as Kamal. Susan McPhail Susanne as Susanne.
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The inhabitants of the bayou typically lived in houseboats and elevated shacks that were situated in the middle of the swamp. During the evening, lazy fireflies have their evening flights as a local swamp-dweller passes the regular evening plucking out familiar southern tunes on their old banjos. Crickets, frogs, toads, alligators , and all sorts of waterfowl hidden behind the mangroves sing their eerie songs quietly throughout the swamp as any rider drifted slowly toward the stone walls of a canal, which narrows into a brick channel that sweeps the boat toward a dark area.
A bricked passage in the bayou possessed the the undead skull of a dead pirate. The history and motives of this skull are unknown but it would appear to hold mystic powers. When encountered by boat-riders the skull and this dark area would lead any visitor down two misty waterfalls, into a dark and mysterious grotto known as Dead Man's Cove. Laffite's Landing was a landing located in the Blue Bayou. It was the area where people could get on a boat and ride through the lagoon. They are also raising Jessie Sydney Kowalske , Kathy's daughter from a previous relationship.
This powder-keg erupts during an altercation at a grocery store, when Ace's partner Emory Cohen —a buffoonish caricature of a "bad cop"—looking to avenge his friend, attacks Antonio and drags him off to the local ICE facility. Once the process starts, it's almost impossible to stop. There are no appeals: who would one even appeal to? ICE is designed as an end-point, not a way-station. People vanish into ICE's grip.
Antonio was adopted when he was three years old. He has no ties to Korea. Turns out, though, his adopted parents didn't fill out the citizenship papers, or didn't file them properly. He's screwed. He knows his way around such cases. His outlook is not hopeful.
He has almost no solutions. It's not enough to use a symbol visually, and let the audience put two and two together.
A character needs to have a long monologue where they explain the symbol and pontificate on how the symbol is relevant to the circumstances. This happens multiple times. It's extremely heavy-handed. Chon intersperses artsy-looking dreamy fragments throughout, sudden flashes of a lake glowing blue, a woman seen from below the water, a flash of a face through a rainy window.
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